Tuesday, March 22, 2011
What We Mean When We Talk About Measurements and Metrics: CIL Day One
Thursday, March 17, 2011
#hcod and Academic Libraries
The library where I work, the library that I now run, I guess, doesn't really do the book thing. We've got books, but they're books from the 70s, when the core of the school was arts and sciences. In the last fifteen years, four of which involve me, the school has expanded, moving from a college to a university with several professional schools. For a variety of reasons, all of them depressing, the library did not keep up. As a result, we've got a great collection of Victorian literature... and nobody to teach about it. We've got books in French and German... languages no longer offered. You get the idea. We're getting better, more current, but we've got a ways to go. We're starting a distance-learning, online-only program in the fall, and we push patrons towards electronic and digital resources because we think that's where the world's headed... but this make us more vulnerable. We provide access to information, to knowledge, that we don't own. E-books are different from books that way; we don't lease any physical copies of books, although students can do that through the campus bookstore.
What if the next move of other, more academic, publishers is to limit access to e-books in a way similar to HarperCollins? What if an e-book could be accessed or viewed, analogous to circulating, as I see it, 26 times? What would happen to our distance learning program then? What about e-books placed on reserve to be accessed via course management software? A class of 20 students wouldn't last half a semester under that regime, and thus the library's budget wouldn't, either. So you see, Annoyed Librarian, we're all in this together, we're not so dissimilar. Let's hang together instead of separately on this issue.
New York Times enacts pay-per-view
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Monday, March 7, 2011
Who's a Bully? A reply to Martin Taylor and more on #hcod
It shouldn’t come as a surprise that the HarperCollins affair has lead to a wider discussion about e-books in libraries, access versus ownership, and the role that DRM plays in our lives. After all, HarperCollins decision wasn’t made in a vacuum; they have interests to protect and those interests aren’t relevant to just HarperCollins, but to all publishers, especially the Big Six, and to authors as well, who deserve to be compensated for their work.
Librarians, for their part, have advocated resistance (I assume that there’s also a silent majority or plurality out there that’s going to carry on as they did before HarperCollins decision), ranging from a boycott of DRM, a boycott of all of HarperCollins, a boycott of just HarperCollins e-books, to lobbying. But we haven’t heard much from HarperCollins or their supporters… until now.
Martin Taylor is the managing director of Addenda Publishing in
No surprise, then, that Mr. Taylor writes
In spite of the heat HarperCollins can expect to receive from its library customers, I hope they stand their ground. Librarians need to shift their thinking as digitisation transforms the reading landscape. They are doing authors, publishers and ultimately themselves and their patrons no favours by this stance.
The fact is that rightsholders do have serious concerns and librarians have not managed to address them… In the face of rightsholders’ concerns, librarians must listen not bully, and they should be willing to experiment with new models that will ensure libraries and other channels can co-exist in the emerging, all-pervasive digital world. No-one has all the answers yet but we won’t solve this issue by denying the existence of the problem and closing off avenues for fresh thinking.
There are some good points made in his article, and I think that librarians need to hear alternative perspectives, away from the #hcod echo chamber, but to this reader two words jump out, “rightsholders” and “bully.” Let’s take these in turn.
Taylor is, I think, absolutely correct about the difference between print and electronic books, and what this difference means for the relationship between libraries and publishers, “the potential ease with which borrowers can get a free ebook is a quantum shift, not merely an incremental change” (italics in original). He also points out that it is print copies of books that sell when libraries circulate e-books, and publishers would like library patrons to buy e-books as well as print. Fair enough. But the distribution model for e-books and e-book publishers compared to print is also a quantum shift, one that is not addressed here. I may as well start with the inflammatory statement and proceed from there, so here goes: who needs publishers anymore?
We’ve seen traditional distribution channels circumvented in music publishing and distribution for some time now. Radiohead, a popular and critical success, has managed to make millions by selling mp3/wav file downloads directly to consumers, and then partnering with publishers to sell traditional materials. Hundreds of other bands don’t get rich using this model, but they make a living, and maybe even a career out of it, which in the end is their goal. I like to think that most authors don’t dream of millions of dollars, but of millions of people discussing their works and their ideas therein. Maybe that’s overly romantic of me, and so be it, but then again, I know a lot of writers, and I don’t think any of them would trade places with a cash-obsessed hack (no need to name names, insert your tastes here). Authors can sell e-books via Amazon’s Kindle store, something less than a publisher, something more than the Radiohead model. It’s already happening. And it's not entirely a good thing. Look at Borders.
Now, this is the extreme, not very nuanced position. But tell me I’m wrong. Use the comments below, or use an excerpt on your blog and let’s have a conversation on the middle ground.
As for bullying, we didn’t land on #hcod, Mr. Taylor. #hcod landed on us. Librarians are not the bullies here. Bullies pick on the weak, using positions of strength to force their terms on others. HarperCollins capricious and arbitrary decision to limit check outs of e-books to 26 times was unilaterally imposed on libraries, without consultation or negotiation. Who’s the bully here?
In the end, however, I think the author and I agree on how this is going to end for many public library systems, at least in the short-term: some of the costs of e-books are going to be passed along to patrons. Librarians don’t like charging for services, but given the budget cuts, it’s going to happen. Right now most e-reader owners are affluent and can afford these costs. As e-readers' costs approach $0, though (and that’s going to happen soon), more people at all income levels will have them, at which point lending e-books for a fee may be a only temporary fix.
Maybe by the time we revisit this conversation, there won't be a Big Six, and that's what HarperCollins decision is all about.
Monday, February 28, 2011
The eBook User’s Bill of Rights
The following post is from Sarah Houghton-Jan, who blogs over at Librarian in Black. I whole-heartedly endorse the following.
Meanwhile, there's spirited debate concerning a boycott of HarperCollins. Because librarians and libraries are about customer service, it’s not something I can completely sanction, but I understand. HarperCollins’ decision is what started this, but at least they make e-books available for a loan, or 26. Simon & Schuster, on the other hand, does not. If a boycott is what gets libraries to the table when decisions like these are made, then ultimately I’m for it. But to me the real enemy is DRM, and what’s below in the bill of rights is much more about DRM than it is about individual publishers.
The eBook User’s Bill of Rights is a statement of the basic freedoms that should be granted to all eBook users.
The eBook User’s Bill of Rights
Every eBook user should have the following rights:
- the right to use eBooks under guidelines that favor access over proprietary limitations
- the right to access eBooks on any technological platform, including the hardware and software the user chooses
- the right to annotate, quote passages, print, and share eBook content within the spirit of fair use and copyright
- the right of the first-sale doctrine extended to digital content, allowing the eBook owner the right to retain, archive, share, and re-sell purchased eBooks
I believe in the free market of information and ideas.
I believe that authors, writers, and publishers can flourish when their works are readily available on the widest range of media. I believe that authors, writers, and publishers can thrive when readers are given the maximum amount of freedom to access, annotate, and share with other readers, helping this content find new audiences and markets. I believe that eBook purchasers should enjoy the rights of the first-sale doctrine because eBooks are part of the greater cultural cornerstone of literacy, education, and information access.
Digital Rights Management (DRM), like a tariff, acts as a mechanism to inhibit this free exchange of ideas, literature, and information. Likewise, the current licensing arrangements mean that readers never possess ultimate control over their own personal reading material. These are not acceptable conditions for eBooks.
I am a reader. As a customer, I am entitled to be treated with respect and not as a potential criminal. As a consumer, I am entitled to make my own decisions about the eBooks that I buy or borrow.
I am concerned about the future of access to literature and information in eBooks. I ask readers, authors, publishers, retailers, librarians, software developers, and device manufacturers to support these eBook users’ rights.
These rights are yours. Now it is your turn to take a stand. To help spread the word, copy this entire post, add your own comments, remix it, and distribute it to others. Blog it, Tweet it (#ebookrights), Facebook it, email it, and post it on a telephone pole.
Saturday, February 26, 2011
Putting DRM on Blast: HarperCollins and Libraries
On Friday, February 25th, the library-centric part of the internet caught fire. Why? Because HarperCollins decided that after one of their e-books is checked out more than 26 times, it will self-destruct. Meaning that a library that has purchased that e-book will have to buy it again, and again, and again. All of this in an era in which library budgets are being cut to the bone.
Why 26 times?
I work in a library without a lot of e-books, or books that circulate, which is a long story, best saved for later, but we’ve got books, real, paper books, that are checked out more than 26 times. For me, this aggression will not stand, man, so here’s what I’m going to do about it.
The software that allows HarperCollins to “turn off” an e-book is called Digital Rights Management, or DRM. Not every library is in position to do what I’m about to propose, and I understand that, but as an academic librarian in charge of purchasing, I’m done with DRM. I will not purchase anything with DRM restrictions for my place of work, effective immediately.
Many public libraries won’t be able to do this. They have much tougher competition, like other public libraries nearby, Amazon.com, Barnes and Noble, or Borders if the local one has been spared, or mom n’ pop or alternative bookstores if you live in a city or hip college town. But public libraries can still do something.*
But I work in an academic library; my audience is more captive than that of a public library, and our user population is on its way to becoming more educated. My refusal to buy DRM is now part of that education. I don’t want patrons involved in the librarians’ dilemma of access vs. ownership; it’s unseemly, and access usually wins. But not this time.
Side note: while HarperCollins was doing the above, I had lunch at a conference with some music librarians who complained that the only existing recordings of some audio/visual materials were in iTunes, trapped behind Apple’s DRM instead of being “in a library.” I pointed out that by any modern definition, iTunes is a library. There are different kinds of libraries that serve different groups. One of the scoffers was an academic music librarian. It costs approximately $35,000 in out-of-state tuition to access the library where he works, while anyone with a computer, an internet connection, and a credit card can gain entry to the iTunes library. Which model is closer to the Carnegian ideal type? Food for thought.
*Sorry, folks, but it’s back to advocacy. Always back to advocacy.
Let HarperCollins know what you think of their shortsighted decision.
Let American Library Association President Roberta Stevens know what you think of HarperCollins shortsighted decision.
Let the authors who write under HarperCollins know as well.
Educate your patrons. They can be allies in this fight.
Want more? Go here.
Thursday, February 17, 2011
Not Another MLIS Post
We all have our reasons for wanting to be librarians. I grew up in a household of academics; I saw that lifestyle and I wanted it… right up until I defended a prospectus in a political science PhD program, at which point a doctorate and I mutually decided to part ways. But let’s back up. I worked at an academic library over the summers and between semesters of my undergraduate studies, and my first three jobs, four if you count the six weeks I worked for a vendor, after graduating were at academic libraries in paraprofessional positions. I continued to work at a library during my PhD program as well, and maintained an ALA membership for part of that time, so I was well-equipped with a back up plan. As a librarian I could stay in academia. I could participate. I could, hypothetically, publish. I should publish. In 2007, I executed that plan; I’ve been at this small, academic library since then, first as a paraprofessional, then as a librarian, a title I obtained before my MLIS. And let’s be clear about why I went back for yet another degree: it’s because I knew I couldn’t advance in my career, not in my current workplace, not hypothetically elsewhere, without an MLIS. For me, it was, and is, a union card, one that needs stamping. The prospect of a better job was not the sole reason I got an MLIS, but it was pretty close. Having worked the circ desk, the stacks, cataloging, and preservation before library school left me a bit jaded. And lo, upon receiving that degree, I got a raise and a promotion. But, and this is important, I already had a job, I already worked in a library and had years of library experience, and of graduate school. I didn’t have to deal with a brutal job market. Kids, if you can get your library school degree this way, I highly recommend it.
My path isn’t everyone else’s path. Again, we all have our reasons. And we can rage against the machine that is library school, but it’s not going to do you any good. By and large, if you want to be a librarian, you’ll need that degree. What else can you get out of it?
Elsewhere you’ll read that library schools teach critical thinking, but that certainly wasn’t the case where I went. You should have learned critical thinking skills by the time you graduated from college anyway. High school, even, if you lucked out with teachers. There’s a reason so many of these MLIS programs are easy to get into, and easy to get out of, and don’t think that lack of selectivity doesn’t play a reason in why this profession isn’t as respected as it could be (and if you’ve got a Masters degree in teaching or another education-related field and you’re reading this, I know you’re nodding your head for the same reasons). Rigor is not in the MLIS vocabulary. Certainly not research methodologies, either. In fact, most of what you’ll need to know to be a good librarian you’ll learn on the job, whether it’s a cataloging shortcut or the best way to manage student workers or volunteers.
Despite the above, and excluding the union card, here is what an MLIS is good for.
- Socialization into the discipline. Librarians are a motley bunch, but we have our standards, or so I’d like to believe. At a minimum, there’s a baseline level of intersubjective knowledge you’ll be taught, and a vocabulary to go with it, because jargon is what separates academic fields from one another. If you’re lucky, the school you choose will also focus on communication, in person, in writing, presentations, project management and the like. You more or less have to go to college if you want to some measure of economic success, but you choose to go to graduate school, to become a librarian. Molding you into one of us, that’s what this is about. Also, I’ve met a lot of people who work in libraries. Believe me, we can use all the socialization we can get.
- Exploring your options (thanks to Wayne for this one), or what kind of librarian do you want to be. At many schools archivists and school media librarians are tracked separate from the general population, and if you’re one of them, more power to you. Most everyone else, however, will take a bunch of courses, some compulsory and some elective, to figure out if they want to work in academia, or a public library; spend most of their time out front at the reference desk, or in the back managing electronic resources; or work in a medical library (hint, this is where the jobs are), law library, or corporate library. Take courses, figure out what you want do to, where the holes are in librarianship (provided you can actually get depth instead of width), and how you might fill them.
Since you’ve already put the time in, put in some more. Read these far better posts, and their comments
https://blogs.princeton.edu/librarian/2011/02/things_i_did_and_did_not_learn_in_library_school.html
http://agnosticmaybe.wordpress.com/2011/02/10/open-thread-thursday-library-school/
UPDATE: 3/9/12 - a new post on a related topic, the rigor of MLIS programs.